Skip to content Skip to sidebar Skip to footer
Home / Youll Never Work in This Town Again Book

Youll Never Work in This Town Again Book

Post a Comment

Autobiography by Julia Phillips

You'll Never Consume Lunch in This Town Again
Youll never eat lunch 1st ed.jpg

Front encompass of the commencement edition (hardcover, Random House)
Author Julia Phillips
Country United States
Language English
Genre Autobiography
Published 1991 (Random House)
Pages 573
ISBN 978-0-394-57574-2
OCLC 21524019

Dewey Decimal

 791.43/0232/092 B xx
LC Grade PN1998.3.P47 A3 1990

You'll Never Eat Lunch in This Boondocks Over again is an autobiography by Julia Phillips, detailing her career as a film producer and disclosing the power games and debauchery of New Hollywood in the 1970s and 1980s. Information technology was outset published in 1991 and became an immediate cause célèbre and bestseller. The book was reissued in 2002 after the author's death.

Background [edit]

In partnership with her hubby Michael, Julia Phillips was ane of the nigh successful moving-picture show producers in Hollywood during the 1970s. Their second movie, The Sting, grossed almost $160 one thousand thousand and won vii University Awards, making Julia the outset adult female to win a Best Moving picture Oscar.[1] [2] Their third film, Taxi Driver, brought them a second Oscar nomination and won the Palme d'Or in 1976. In 1977 they co-produced their most financially successful flick, Steven Spielberg'south $300 million-grossing Close Encounters of the Tertiary Kind.

Still, Julia had long indulged in a cocky-destructive lifestyle of excessive drug consumption, and it had begun to affect her work. François Truffaut, one of French movie theater's nigh iconic directors and a star of Close Encounters (playing "Claude Lacombe", a French government scientist in charge of UFO-related activities in the United States), blamed her for that film'due south budget difficulties, and she was eventually fired during post-production considering of her cocaine dependence.[iii] [4]

Phillips, past at present divorced, spent the following years on a downward spiral which included, past her own account, spending $120,000 on cocaine,[ii] [v] before entering therapy to recover from her addiction.[6] Then, in 1988, having been out of Hollywood for eleven years, she sold all her assets to produce The Crush,[vi] near a kid in a tough neighbourhood trying to teach poesy to local gangs. It was a disquisitional and commercial disaster, grossing less than $5,000 at the box part,[7] and Phillips turned to penning her scathing memoir to escape her financial difficulties.[2] [8]

Synopsis [edit]

The book begins past briefly introducing the reader to Phillips in 1989, before apace travelling dorsum to her childhood in 1940s Brooklyn.[nine] It so covers her early life and commencement successes in the film industry: she and Michael earned $100,000 from their debut feature, Steelyard Blues, moved to Malibu, California, and had a girl, Kate.[viii] The most notorious capacity follow equally Phillips enjoys her greatest career successes, perhaps most infamously when she recalls the amalgam of drugs she was under the influence of on the night she won her Oscar ("a diet pill, a pocket-sized amount of coke, two joints, six halves of Valium, and a glass and a half of wine").[2] [8] [10] She besides reveals the personal peccadillos and vices of the biggest Hollywood A-listers of the solar day, including Steven Spielberg, Martin Scorsese, Richard Dreyfuss, Goldie Hawn, and David Geffen. Many of these people were pivotal figures in the emergence of New Hollywood in the 1960s and '70s, just Phillips disparagingly refers to them as "a rogues' gallery of nerds".[6] [11] Later episodes in her life, including freebasing, and her abusive relationship with a violent drug addict which caused her to miss her own mother's funeral, are as well discussed candidly.[viii]

"No one ever claimed that [Phillips] had got Hollywood wrong in her book. In which case, you have to give a little more credence to the theory that Hollywood is prepared to permit the club exist run by raving egotists, indictable rascals, desperate addicts of one thing or several others, betrayers, connivers, hypocrites, and foul-mouthed swine. So long as they are guys."

David Thomson, The Independent, xiii Jan 2002.[12]

Most pregnant, from Phillips' own bespeak of view, is her exposé of the "Boys' Club" in the higher echelons of Hollywood, where she claimed information technology was her gender that led to her ultimate ostracism.[11] "If I had been a man, they would have closed ranks around me", she said, referring to her drug addiction. "They hated the woman thing. And I wasn't even regarded equally a adult female, I was a girl."[five] Writing about her in The Independent in 2002, film critic David Thomson expressed Phillips' attitude as: "yous [Hollywood] guys don't take women seriously; you like us around... [merely] we aren't allowed to exist players".[12] Those same few men, like "Valley viper"[thirteen] Mike Ovitz who headed the Creative Artists Agency were, in her eyes, responsible for a qualitative decline in standards and the increasing boiler of movies since the 1970s.[iv] [14]

Reception [edit]

On its release most critics agreed that the book was both scandalous and career-ending. (Fifty-fifty with a quarter of the 1,000-folio original manuscript excised,[8] it took lawyers at Random Firm fourteen months to corroborate information technology for publication.[2] [6]) Lewis Cole, in The Nation, described it as beingness "[not] written simply spat out, a breakneck, formless performance piece...propelled by spite and vanity".[xv] Newsweek's review called it a "573-folio primal scream",[16] while one Hollywood producer said it was "the longest suicide note in history".[6] In the 2003 documentary version of Like shooting fish in a barrel Riders, Raging Bulls, based on Peter Biskind's 1998 anecdotal history of New Hollywood, Richard Dreyfuss recalled his initial fury at Phillips' revelations, before more circumspectly listening to "a piffling voice inside my head [saying] 'Richard, Richard, the truth was so much worse'."[17] Despite Phillips' criticisms of Steven Spielberg in the volume, Spielberg nevertheless invited her to a 1997 screening of Close Encounters of the 3rd Kind as a fashion of "keeping his friends close and his enemies closer."[18] Rapper Tupac Shakur misquotes the championship of the volume in a Vibe interview in 1996, stating briefly that it was one of the books he read recently. "You'll Never Work Again in Hollywood, whatever that is that they're talking near, all the people that slept together." [xix]

After Phillips' death from cancer in 2002 the book was reissued in paperback past Faber and Faber,[20] and gained renewed attention. Tim Appelo wrote in his Salon.com tribute that information technology was "mordant, merciless, [and] outdid Capote in shrieking truth to decadent power",[21] while David Thomson of The Independent praised it as "compulsive, hilarious entertainment".[12] [ dead link ]

Commercially, Phillips' memoir became an enormous success. It quickly moved to the top of the New York Times Non Fiction Best Seller listing and stayed at No. i for thirteen weeks.[22] [23] Additionally, several prominent Los Angeles bookstore owners reported information technology to exist the fastest-selling book they had ever seen.[eight] [13] But Phillips was excoriated past Hollywood, and her autobiography's publication cost her the chance to adapt Anne Rice'southward Interview with a Vampire with David Geffen.[5] [eight] [24] Furthermore, in an case of life imitating art, pre-eminent Los Angeles eatery Morton's fulfilled the book'southward titular prediction by declining her future patronage.[two] [5]

Shortly before her expiry, when asked if she had been also savage in her writing, Phillips replied, "We all have our standards. People behaved in an ugly and despicable mode towards me. I felt no constraints. Nothing I did in my book is equally mean as any of the people I wrote nigh."[ii] [six] She was similarly unrepentant virtually her subsequent expatriation, saying, "I wasn't a pariah because I was a drug-addicted, alcoholic, rotten person and not a good mother. I was a pariah because I hit them with a harsh, fluorescent light and rendered them as contemptible as they truly are."[ii] [vi]

References [edit]

  1. ^ "Oscar-winner Phillips dies". BBC. Jan 3, 2002.
  2. ^ a b c d e f g h Weinraub, Bernard (January three, 2002). "Julia Phillips, 57, Producer Who Assailed Hollywood, Dies". The New York Times.
  3. ^ McBride, Joseph (1997). Steven Spielberg: A Biography . New York City: Simon & Schuster. pp. 528. ISBN978-0-684-81167-3.
  4. ^ a b Hodgman, George (March 22, 1991). "You'll Never Consume Lunch in This Town Again – Book Review". Entertainment Weekly.
  5. ^ a b c d Friedman, Roger (April 12, 1991). "Without Reservations". Entertainment Weekly (61).
  6. ^ a b c d e f g Vallance, Tom (January 5, 2002). "Julia Phillips – Obituaries, News". The Independent. U.k.. Archived from the original on Feb iv, 2011. Retrieved September 19, 2017.
  7. ^ "The Shell (1988)". Yahoo! Movies. Archived from the original on March half dozen, 2007.
  8. ^ a b c d east f thou Wadler, Joyce (March eighteen, 1991). "A Hollywood Outcast Treats the Stars to An Acid-Dip Memoir". People magazine. 35 (x).
  9. ^ Turner, Caroline (Dec 31, 2002). "Review: Y'all'll Never Eat Lunch in this Town Once more". M2 Best Books.
  10. ^ "Gold fever: Oscar dark – and how to enjoy information technology". The Guardian. UK. March 17, 2000.
  11. ^ a b Benatar, Giselle (November 16, 1990). "'Luncheon' Dish". Amusement Weekly (40).
  12. ^ a b c Thomson, David (January 13, 2002). "Picture Studies: Lunch volition never exist the same in that boondocks again". The Independent. UK. Archived from the original on June 14, 2010.
  13. ^ a b Rohter, Larry (March 14, 1991). "Hollywood Memoir Tells All, And Many Don't Want to Hear". The New York Times.
  14. ^ Bach, Steven (March 17, 1991). "Hollywood Chainsaw Massacre". The New York Times.
  15. ^ Cole, Lewis (June 1991). "You'll Never Eat Lunch in this Boondocks Once again (book reviews)". The Nation.
  16. ^ Foote, Donna (March 25, 1991). "The Bad And Not So Beautiful". Newsweek.
  17. ^ Ansen, David (May 8, 2003). "That '70s Picture". Newsweek.
  18. ^ Dubner, Stephen J. "Steven the Expert".
  19. ^ "Tupac Shakur: The Lost VIBE Interview (May '96)". Vibe.com.
  20. ^ You'll Never Eat Lunch in This Town Over again (Paperback). ASIN 0571216234.
  21. ^ Appelo, Tim (January 17, 2002). "Julia Phillips, queen of the night". Salon.com. Archived from the original on October 27, 2008.
  22. ^ "Developed New York Times Best Seller Lists for April seven, 1991" (.pdf). Hawes Publications.
  23. ^ "Developed New York Times Best Seller Lists for June 23, 1991" (.pdf). Hawes Publications.
  24. ^ Jacobs, Alexandra (June 7, 1996). "Truth and Consequences". Amusement Weekly (330).

judgeocapturpon.blogspot.com

Source: https://en.wikipedia.org/wiki/You%27ll_Never_Eat_Lunch_in_This_Town_Again

Post a Comment for "Youll Never Work in This Town Again Book"